By Samuel J. Rogal
William Somerset Maugham was once essentially the most renowned and winning British writers of his time. From October 1897, whilst he accomplished his scientific schooling at St. Thomas's medical institution in London, till his loss of life in December 1965, Maugham wrote twenty novels, stuffed 9 volumes together with his brief tales, wrote thirty-one performs, and released seven volumes of prose nonfiction. His writings replicate the tensions of the Boer conflict, international battle I, and global struggle II; the lavishness of the top degrees of British and American society in the course of the first six many years of the twentieth century; the glamor of Hollywood, Paris, big apple, San Francisco, and London; and the romance of China, Malaya, Borneo, and India.
This reference booklet is a consultant to Maugham's attention-grabbing existence and profession. the quantity starts with a quick dialogue of the significance of Maugham's existence and paintings, by means of a close chronology of significant biographical and literary occasions. via numerous hundred alphabetically prepared entries, the encyclopedia overviews Maugham's drama, fiction, and prose nonfiction; his family members; the individuals whom he knew and with whom he linked; the areas the place he lived and to which he journeyed, rather the towns and villages that he inserted into his works; and the old, cultural, social, and political matters that ruled his existence and profession. every one access closes with a quick bibliography, and the amount features a chosen bibliography of severe stories.
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Extra resources for A William Somerset Maugham Encyclopedia
He will ignore, for example, the artistic effect of Rosie, the first Mrs. Driffield, upon her husband. Ashenden, then rooted to the ideal function of art, refuses to help, claiming that only the truth will justly memorialize Driffield. From that point, Ashenden details his recollections of Edward Driffield and the writer’s first and second wives. The novel thus extends from Ashenden’s childhood and adolescence, through early adulthood, and on to middle age—from late Victorian England through the end of the Edwardian period.
Not only does she introduce young Ashenden to the joys of highly romantic and sexual experiences, but also she virtually forces him to escape from his unreasonable and provincial attitudes about the world beyond the village of Blackstable and the county of Kent. She forces him to understand, for instance, that in the realm of letters, the Alroy Kears actually exist and will actually succeed. In the end, although Rosie leaves her husband and Ashenden for another man (and a married one, no less), she has provided the artistic inspiration for both men.
A socialist and then a communist at school, Simon has now become a full-fledged right-wing reactionary—harsh, cynical, and unscrupulous. In him, the reader observes the development of the political totalitarian. At the Serail, a brothel, Charley meets and becomes involved with †Lydia Berger, a White Russian woman of the world and known professionally as Princess Olga. Her husband, †Robert Berger, has been sentenced to fifteen years of penal servitude at St. Laurent de Maroni, French Guiana, for the murder of †Teddie Jordan, a *homosexual English bookmaker in Paris, a former jockey, and a suspected drug trafficker.